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Versecraft
Some Problems With Confessionalism
Topics discussed in this episode include:
-Autobiographical vs. Confessional
-"Poetry As Confession" by M.L. Rosenthal
-"Life Studies" and "The Dolphin" by Robert Lowell
-"Genesis" by Delmore Schwartz
-"The Dream Songs" by John Berryman
-Other Confessional pioneers: Sylvia Plath, Anne Sexton, W.D. Snodgrass
-Functions of Confessionalism: Therapy and Social Awareness
-Alternatives to Confessionalism
-"The Sorrows of Young Werther" by Johann Wolfgang von Goethe
-"Min Kamp" by Karl Ove Knausgard
-"Neo-Confessionalism: Whose Commodity Am I, Anyway?" by Virginia Konchan
-The Identitarian Turn
The 8 Points:
- Confessionalism is an exercise in self-absorption.
- Confessionalism encourages self-absorption and idol worship in its readers.
- Confessionalism, by privileging extremes of feeling, cultivates a culture of hyper-emotionalism.
- Confessionalism airs details of the private lives of others without their consent.
- Confessionalism restricts the possibilities and expectations of the lyric "I."
- A culture of Confessionalism places unfair pressure on aspiring writers to expose and focus on their personal details for popularity and recognition.
- Confessionalism, by privileging authenticity above all, makes craftsmanship an afterthought.
- Confessionalism, by privileging the particular, makes universal insight an afterthought.
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My favorite poetry podcasts for:
Sharp thoughts and cutting truths (Matthew): Sleerickets
Lovely introspection and sensitive reflection (Alice): Poetry Says
The landscape of Ohioan poetry (Jeremy): Poetry Spotlight
Supported in part by The Ohio Poetry Association
Art by David Anthony Klug
List of the most common metrical feet:
Iamb: weak-STRONG (u /)
Trochee: STRONG-weak (/ u)
Anapest: weak-weak-STRONG (u u /)
Amphibrach: weak-STRONG-weak (u / u)
Dactyl: STRONG-weak-weak (/ u u)
Cretic: STRONG-weak-STRONG (/ u /)
Pyrrhic: weak-weak (u u)
Spondee: STRONG-STRONG (/ /)